Rick Owens sends shoulders into a room long before the person. That fraction is actually so extreme that it shatters every tenet of a normal jacket fit. Your brain can't help but they cannot ignore seeing something almost immediately wrong. That is the moment of confusion that Rick Owens wants. It grabs your attention and makes you focus. Something little quickly dissipates, yet a monster at last lives in your mind until the end of time. He pulls on every metric until form wrestles with your conception of clothing. It is the power of that tension between reality and expectation which creates an indelible mental picture.
Unlike the lighter fabrics, these will move spontaneously and slowly.
Rick Owens opts for materials literally two or three times heavier than the cottons, silks and polymer fabrics used in most contemporary clothing. You end up not wanting to wear https://officialrickowens.com/ cotton top; it feels more like holding a wet bath towel than covering your light T-shirt. The heavy weight causes the garment to sway gently as the model ambles across a room. Light fabric flutters and crows, heavy material rolls like pudding down stair closers. Your black happens to this absurd behavior of a shirt because you never saw the same thing from a shirt before. Rick Owens explains that he purchases fabric by weight rather than softness or sheen. An oversized sleeve whipping past your face is attention-getting without needing even a single flash of color.
Extreme Volume By Comme Des Garcons For Different Emotions
How Rei Kawakubo sends lumps that look like sleeping bags or clouds squishing clothes down her runways, instead of garments. Rick Owens uses substantial fabric that drapes nearly vertically downwards whereas Kawakubo used thick padding which happens to stick out in all directions. A Kawakubo dress may be one that obscures the whole silhouette so much that no trace of shoulders and hips can be detected anywhere on a body. https://commedesgarccon.com/cdg/ gives the sense of mystery because the person in there is a riddle that you cannot unravel. You remember a Kawakubo ensemble the way you remember some oddball creature you saw once while on holiday. Rick Owens builds a whispering intrigue that simmers over time; Kawakubo has mastered the jolt and wallop and knocks you flat in one thunderclap blow. Clearly both designers make clothes that are hard to forget, but hers is puffed out while Rick Owens is pulling heavy fabrics down to the ground instead.
The Void Around The Body Takes Center Stage
Rick Owens jackets are cut to sit half a foot away from the skin rather than close. In his work, the distance between fabric and body stands more intriguingly than the fabric itself. Those blank voids generate undulating silhouettes that distort with each tiny intake of the wearer. In the real world, human eyes keep tabs on empty space just like solid objects: Air is something Rick Owens soured on as a material, just like he used to sour wet clay into nothingness the way potters shape it. You find your eyes constantly drawn to the space beneath a coat collar or behind a floating back panel. This absence not presence obsession makes Rick Owens clothes work as clever optical illusions all the time.
Goofy Body Proportions Require A Solid, Long Look
Rick Owens puts little tops on the largest pants that totally engulf the wearer's whole legs. He also puts super huge coats on the skinny, tiny leggings that will make the legs look small and fragile. These are proportion games that confuse your eyes because nothing jives with what the normal dressing rules dictate. Regular outfit eases into expected paths, but Rick Owens so blatantly warps those patterns that you have to hit the brakes. Brain wants to solve the mystery of why that jacket eats an entire human. Rick Owens does not provide you with any definite conclusion, forcing you to look for a way out instead of just walking away. Except the question becomes not a guy in normal clothes whose clothing blends into town, but rather this goofy looking Rick Owens wearer.
Shadows Move in Wide Flat Surfaces
Rick Owens steers clear of any shiny materials that are going to reflect light back into the audience's faces. Instead, he uses matte black materials that suck up light and become dark puddles on the body. Those shadows flow and reform with every last footfall of the individual. We follow the shadow movements with your eye, because deep black on a grey floor is easy drama. This piece of wisdom came from Rick Owens observing how concrete buildings threw shadows differently, compared to the morning and evening. Instead of showing its surroundings, a glossy jacket is like a mirror; instead, it races through the universe as a black hole. This shadow show holds your line of sight long after a screen-printed design would leave you yawning in utter boredom.
Weird Details Cause You To Stop And Challenge Everything
Rick Owens puts zippers on the outside of jackets so everyone can see their metal teeth. Instead, he will have pockets in strange places like the middle of a back or inside of a sleeve. Little surprises pop you keenly awake and your brain is unable to guess what it will see next on the garment. A standard jacket has a boring map to follow; a Rick Owens jacket hides a secret around every bend. You end up flipping over the garment, searching for seams, scrutinizing every detail in his decision. And that sense of curiosity keeps the piece fresh even as it has been in your possession for five whole years. The pieces Rick Owens designs are filled with micro puzzles designed for slow looking, not fast glances at all.
